Okay, it doesn't have the epic grandiosity of Satantango or the tantalizing strangeness of Werckmeister, but it's at least as good as Damnation, if not better. The locations seem to be straight out of Dostoyevsky, the score is as haunting as always, and the black & white cinematography is as incredibly stunning. Tarr is an expert at creating this atmosphere of sorrow and dread and uneasiness, a world where everything feels slightly off-kilter, even in the most mundane moments.
napisał(a) o The Man from London
Okay, it doesn't have the epic grandiosity of Satantango or the tantalizing strangeness of Werckmeister, but it's at least as good as Damnation, if not better. The locations seem to be straight out of Dostoyevsky, the score is as haunting as always, and the black & white cinematography is as incredibly stunning. Tarr is an expert at creating this atmosphere of sorrow and dread and uneasiness, a world where everything feels slightly off-kilter, even in the most mundane moments.